Miro William Rubin » unknownpoles.com

Miro [William Rubin] on. FREE shipping on qualifying offers. Rubin, William MIRO IN THE COLLECTION OF THE MUSEUM OF MODERN ART 1st Edition 1st Printing Hardcover New York Museum of Modern Art 1984 Very Good in a Very Good- dust jacket. Sunning to jacket. Stunning Top Quality Antique Kitchen wares - Old Copper Cookware - Sterling Holloware - Especially Nice Silverplate - ART COLLECTOR SCHOLARLY REFERENCE BOOK. Tight with clean & unmarked text. Fine Things 4 Sale -Family parts with a few treasures. things we liked

William S. Rubin. Dada and Surrealist Art. New York, 1968, pp. 160, 477, fig. 136. William Rubin. Miró in the Collection of the Museum of Modern Art. New York, 1973, pp. 37, 118 n. 1. Giuseppe Marchiori. "Miró through the Years." Homage to Joan Miró. Ed. G[ualtieri]. di San Lazzaro. 1st ed., Paris, 1972. New York, 1976, ill. p. 33, as "Landscape". William Rubin. Miró in the Collection of the Museum of Modern Art. New York, 1973, pp. 125, 126, n. 3, fig. 47. Jean Leymarie. "Joan Miró [excerpts from Exh. Paris 1974 catalogue]." Le petit journal des grandes expositions no. 11 1974, p. [2]. Giovanni Lista. "Tre mostre a Parigi; gli 81 ani di Miró." [Unidentified journal] Summer 1974, p. 38. Miro in the Collection of the Museum of Modern Art, Including Remainder-Interest and Promised Gifts book. Read reviews from world’s largest community for. The only motifs that appear against the extensive blue, white, ochre or grey backgrounds are a series of undulating biomorphic forms, created by the dictates of dreams or spontaneous impulses, which Jacques Dupin identified as “the last stage in Joan Miró’s dream paintings” and William Rubin as an example of his “automatic painting.”.

William Rubin has been the Museum's Director of the Depart­ ment of Painting and Sculpture since 1973. Since joining the Museum in 1967, Mr. Rubin has directed such major exhibitions as DADA, SURREALISM, AND THEIR HERITAGE 1968, THE NEW AMERICAN PAINTING AND SCULPTURE: THE FIRST GENERATION 1969, EUROPEAN. In June 1968 in a conversation with William Rubin concerning M.o.M.A.'s 1929 collage, Miró said that the edges of the collage elements had always lifted away from the surface and they should never be flattened. This lifting can be seen in many of his collages either in their current state or in older photographs figs. 7 and 16. [4] According to Ariane Lelong-Mainaud, William Rubin acquired the work from Sidney Janis Gallery on November 8, 1957 see note [1]. A 1958 exhibition references Rubin as owner of the painting ["10th Anniversary Exhibition X Years of Janis," Sidney Janis Gallery, NY, September 29 William Rubin, Miro in the Collection of The Museum of Modern Art, 1973 1974-1994 BERMAN Harold Berman, Bronze Sculptors and Founders 1800-1930, 5 vols., Chicago, Abage, 1974-1980 ?, republished Atglen, Schiffer Pub., 1994.

Miro William Rubin

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